November 22, 2013: Servants
William Hogarth, detail of "Beer Street" (1751)
I had lingering doubts about keeping Pavel on as butler and manservant this winter. He has been like a wild dog these past few months. My greatest weakness has always been a grim loyalty to the help, and Pavel, my shopworn inheritance, is no exception. The central problem has hung about our heads, unacknowledged, staining the wallpaper; let us just say that it wasn't the frigid air of Pavel's native steppes that turned his nose red. Without fail, my toleration for the odd tipple has, over the past months, been run roughshod, as Pavel suddenly degenerated into a sick parody of man, drinking his life away on Gin Lane. Why now?
- He appears and serves breakfast covered in strange bruises of unknown provenance. Not all of them can be explained away by his long-standing choice of sleeping in the coal chute. He claims he earned them playing sports, but it's winter. The breakfasts he serves are slovenly, the "bacon" a thin putrescent material shaved off the pig's back, the milk served in plastic bags.
- His quarters are packed to bursting with these bottles. His bingeing is nearly always accompanied by a positively demonic soundtrack.
- He is churlish with the boy who brings by the newspaper. Last week, he drunkenly woke me, shouting "maggot" and "prick" and "pinko" and numerous Slavic oaths and flat vowels at the poor urchin as he tried to tuck the Sunday edition under the front step. He leered at even me, screaming at the top of his lungs that football is meant to be played on a one hundred and ten yard field.
November 11, 2013: Green Grass of Home
The Ryman Auditorium, home of the Grand Ole Opry from 1943 to 1974.
The Country Music Awards were last week. Boy, what a hoot. The hosts, Carrie Underwood and Brad Paisley, came out, and they pretended to fight each other, like brother and sister (they weren't actually angry). They had some jokes. Then, Brad tried to enroll in Obamacare on-stage. That didn't go so well. The computer started smoking and spinning. That's how much trouble they had signing up for healthcare.
The CMA Awards are a nice thing, I told myself, morosely watching in the darkness of my carriage house (the only electrified part of my estate). The CMA Awards are a nice thing, designed to make nice people feel nice. It is candy that melts in your mouth so quickly, you don't even need to bite. It recalls very little of the music that marked my introduction to the country sound. (It was the spring of '68, and I was attempting to gain the trust and business of a leading open-pit mine concern, but that is a story for another time). So it was no surprise that from the outset, any darkness bordering on the edges of Bridgestone Arena was dealt with nicely.
In August, Tom Petty got in trouble for calling modern country music "bad rock with fiddle," which besides being accurate, incensed those syrupy mainstream A&R men who recently transmogrified Hootie into a country musician. That can be dealt with easily enough—the CMA hosts made a joke out of it—but there are some things that can't be glossed out. No hook or layer, no cornpone gags and straight-tooth grins, can really hide the falsity: this music—when it's good, and true—is pain that can't be otherwise expressed.
Don't believe me? Fine then, I thought, watching Taylor Swift—feted on-stage as if she had discovered the AIDS vaccine in her purse—suck the saccharine out of the trough. Nashville needs their pop ingenues, too. Mindy McCready had been one. Until the bloom faded. In the interceding years, she had been beaten and nearly killed by an abusive ex, buffeted by the sundry humiliations and the convulsive pains of drug abuse. She shot herself last February.
Some more people came on and sang some more lies. When a heart gets bigger, this is not always the stuff of a love song. Poor Randy Travis, a fine country singer with a fine voice, has been hospitalized for months, suffering from the effects of a stroke and viral cardiomyopathy. The enlarged and damaged heart that is symptomatic of the second condition is usually the result of alcoholism, a disease that has wracked Travis for years, consigning him to a series of tabloid punchlines. He may never sing again.
There doesn't seem much good in things, at the bitter root of them. Whatever romance there is in this music seems to be in either losing at love or dying in drink. Yet a funny thing happened, as I was starting to drift off in front of the TV. That chucklehead Paisley came on stage, a little more serious, to offer his condolences to the widow of George Jones. I practically hissed, hearing as great and glorious a personage as Jones invoked by this muppet, but, he was at least sincere. And he said something that struck me, thanking Mrs. Jones: that without this woman, we would have lost the Possum much sooner.
Well, I had to sit up in my anchor chair a bit, as George Strait and Alan Jackson launched into a decent rendition of "He Stopped Loving Her Today." I find I tend to think of what I don't have, rather than what I do. In George Jones's case, I had my favorite country singer about three decades longer than he had any business living.
Whatever plague killed Keith Whitley or Gram Parsons didn't kill him, even though it, by all rights, should have. We can't even be sure why. That's a truly nice thing. Someone should give out awards for it.
November 1, 2013: All Saints Day
John Henry Fuseli, detail of "The Nightmare" (1781)
The past is a very strange quantity. Most of my memories of it are somewhat diluted, like mid-morning coffee. Thinking about them is like thinking about somebody else's dream, as it was told to you a while ago. But some points in the past remain as sharp as a diamond, crystalline, impervious to the normal dulling effects of time. When the dog tried and failed to swim in a riverbed, watching the snow fall when you were seven, the first time you saw a tire changed. You might remember all of these things, down to minute details — that a lawnmower could be heard, that you were eating a Flintstones Push-Pop, etcetera. But you cannot fix a date to any of these memories. You cannot place almost any of these moments between those preceding and following with any certainty.
October 25th, 2013: Trafficking
Francisco Goya, Los caprichos (Caprices), detail of plate 40, "¿De que mal morira?" (1796-97)
The heavy-lidded months leading into winter should be conducive to sleep. They're not, not for me. It's been hard to tell, lying there - my eyes endlessly tracing the ornate Georgian crown molding from one end of the room, down, then across, then back up, then back down - when I'm dreaming and when I'm only dreaming. That is to say, when I'm seeing what I need to be, in some phantasmagoria the deepest part of me screams is true, or the wakeful hours when I can only imagine what that might be.
October 11th, 2013: Blackout
The Bridge at Remagen.
I have done my part. Austerity has been demanded; austerity has been enacted. This is what responsible people do - no more debt hikes, no more irresponsibility. No more pushing things off. We're on a downward course and need to go uphill. I'm watering my horses in puddles and shooting squirrels with my .22. I am tightening my belt.